Pet is a story about how evil – any kind of evil – thrives in plain sight when people start refusing to look for it, to acknowledge that it can and does exist. It’s a story about how this refusal of any kind of discomfort, this hiding from the world’s truth, hurts and silences victims.
It follows Jam, a black trans girl with selective mutism who lives in Lucille, a town in a future version of America that would look like an utopia to us. Not only the people around Jam accept all of her as she is, Lucille as a whole doesn’t have “monsters” anymore: no police to fear, no hoarding billionaries or evil politicians or backstabbing bigots. Evil has been defeated, people say, but as Jam soon discovers, that’s never really the case.
This is a charming little book. It’s so short, but it has so much to say, with this world balanced between surreal and futuristic, in which creatures can come through paintings and monsters are still so familiar. It’s not contemporary, but it’s that kind of book that feels more real than reality, and one I would recommend to readers of all ages. I think that it’s technically a much-needed lower YA, as the main character is 15, but it’s accessible even to younger readers, and adults could get a lot out of it as well. From what Petsays about the nature of evil to what it says about what makes a monster, or an angel – not the appearance, not what they are, but what they do – there are a lot of important messages and reminders in this book.
I think it’s really interesting how, in an age range that is supposedly geared towards teenagers (so, from 13 to 19, and even then, people will tell you that it’s technically meant to be 14-17), characters that are younger than 16 are so uncommon in YA. I think this is one of the reasons this book felt so unlike every YA novel I had ever read before – Jam is a 15-year-old girl who actually feels like one, and Pet talks about the typical difficulties of being a young teen in the world: Jam doesn’t know how to communicate with her parents anymore, she’s slowly realizing that the world is uglier than she has believed for all her life, and is terrified that people won’t listen to her just because of her age. I remember experiencing all of these things myself, and it’s sad that the YA age range usually avoids dealing with these topics to favor storylines that are more appealing to adults instead.
Pet also focuses a lot on family dynamics, both in Jam’s own family – Jam’s relationships with her parents, Bitter and Aloe, is really developed, which is also uncommon in YA – and in her friend Redemption’s, in which Jam has been told “hides a monster”. I loved the portrayal of Redemption’s family, it’s so uncommon to see extended families and polyamory representation (Redemption’s parents are a woman, a non-binary person, and a man, but aunts and uncles are almost like parents to him too) in books, but even families that look perfect can have their ugly sides. And this is still a story with a happy ending, the best possible ending given the circumstances. Just because it has an important message, it doesn’t mean it has to be constantly painful.
And then there’s the relationship between Jam and Pet, the creature that came through Jam’s mother’s paining. I loved what this book did with Pet, especially what Pet meant to Jam – their complicated friendship, their disagreements abou how to pursue justice, and how Pet taught Jam to be brave and that sometimes discomfort is a positive thing.
I hope Pet ends up reaching a lot of people; I think most could get something useful from this.
My rating: ★★★★★