Late to the Party is a contemporary novel about what happens when the narrative about yourself you built in your own head starts hindering your potential. It is about the differences between yourself, your perception of yourself, and others’ perception of you, and how one can find spaces for exploration in those gaps as well as places to get stuck in.
On the surface, it’s a very typical coming-of-age story about Codi, a white American teenage lesbian living in Atlanta, who has always been “the quiet kid”. She has her art and her two best friends, but after forming an unexpected new friendship with a “popular” boy (who is gay and closeted), she decides she wants to change that.
Like most coming-of-age stories, it includes a romance (F/F, of course), but it’s not the focus – because, beneath the surface, Late to the Party is mostly a story about friendship. It follows Codi as she understands what her relationships mean to her, why she feels stuck, and how friendships can be outgrown but can also shift in their meaning to you as you change. It does all of this while following mostly queer characters, and how that influences the dynamic.
I feel like often the message of this kind of book can be very one-note, become the party-lover you were always meant to be! get out of your comfort zone! who cares about your boring friends!, but this book deals with it with enough nuance for it not to feel this way.
It’s one of those stories that have just have enough truth to them to hurt. While I did enjoy this as an adult, I know that probably wouldn’t have been true as a teen – sometimes when you’re struggling there are things you’re not ready to hear or deal with, and they hurt. (I would have taken it personally, probably; one thing that you won’t learn in this community when talking about “hurtful books” is that sometimes when a book hurts you isn’t because there’s something wrong with it but because you need therapy.)
Despite this, I did feel like something was missing. There isn’t much to Codi as a character apart from her shyness, her desire to grow out of it, and her love for her art. To make some examples, she struggles with her self-esteem but mental health isn’t even discussed in this book; and while this is a story about friendship between queer people, it’s yet again a gay book in which the portrayal or discussion of anything but rigorously cis and gender-conforming queerness is very lacking. And I think that’s where many of my issues with this book come from – it’s good and it achieves what it sets out to do, but it still feels somewhat surface-level; I think it could have done so much more.
On other minor negatives:
🏠 it has no sense of atmosphere and relies on the reader’s assumed familiarity with America to make up for that. Too bad for the book that I have no idea of how Atlanta looks like;
🏠 the characterization could have used some help in general; while Codi’s close friends and brother are well-drawn characters, the same can’t be said about most of the supporting cast, and sadly this includes the love interest.
My rating: ★★★¾, and I can say that the audiobook was pretty good.