This was even better on reread.
The City of Brass is the first book in an adult fantasy trilogy involving a faraway hidden city of djinn, a young woman with unexpected powers, and grudges that transcend time.
I had almost forgotten how it felt to read well-plotted, satisfying, unpredictable political intrigue in which all characters are equally realized and there isn’t a clear good side. It’s such a freeing sensation. I wrote in my old review that “Daevabad is such an awesome powder keg and I can’t wait to see it explode“, and I stand by that. There’s so much backstory, all delivered in a way that doesn’t weigh on the reader, that makes everything in this city precarious and full of horrible implications.
And when I say it was unpredictable, I want to underline that this was a reread, and it managed to surprise me again.
I have to admit that the first half of this book, while well-written and atmospheric and still interesting enough to keep my attention on reread, is kind of boring the way travel fantasy often is; it takes half of the book for our main character Nahri to even reach Daevabad, and the first chapters in Ali’s PoV just aren’t that interesting. However: the second half wouldn’t work without the first, which gives you time and space to clearly see the relationships between certain characters develop, and the second half is political fantasy at its best. I can confidently say that it pays off, and I wouldn’t change anything.
This also hits the perfect balance in both making me care about the characters and not making me firmly take the side of only one character over everyone else, which is amazing for political intrigue. Everything here is a complete mess. The characters you spend most of the time with – Nahri, Ali, Dara, and Muntadhir – are often on opposing sides, but because there aren’t easy answers and there’s a certain clear amount of atrocities on all sides, I on some level cared about everyone and wasn’t rooting for only one character to “win” or for others to disappear (that’s where a lot of political fantasy fails: they make some characters incredibly unpleasant to spend time with, and you have to read about them over and over).
And do you know why this works so well? Because it’s fun. I spent so much of this reread, especially the second half, laughing.
I care about Nahri, who is just a (lying, mildly backstabbing) treasure to read about, and Ali grew on me (poor boy has a functioning moral compass. that’s going to be a problem), but somehow seeing them make terrible decision didn’t irritate me, because their inexperience made sense – neither of them has any reason to actually be good at political intrigue – and because I was just living for the situation to get even more complicated. It’s more fun that way?
After all, my favorite part of political intrigue is seeing interpersonal relationship get strained because of it, so I was really invested in both Ali’s family dynamic and Nahri’s relationship with Dara, while at the same time not having a firm idea of how I wanted them to be resolved.
This also confirmed my theory that powerful, competent characters are only interesting to read about if you can make fun of them. Like, look at Dara. Scary? Absolutely! Also the character version of the “old man yells at cloud” meme. I loved his scenes because I find them funny, even though he’s… not funny (does anyone but Nahri have a sense of humor here? It wouldn’t seem so, jokes only exist to Goad the Enemy).
It helps that nothing will ever be as funny to me as “the most hated person of the realm, who people thought dead, returns; chaos ensues” combination of events. As it usually happens with characters that belong to this archetype, the story eventually uses him as a punching bag, and that was also a great time.
Another big reason I love this book is the writing. It’s not overly flowery but it’s definitely descriptive, and I loved that; I will never not love books that understand the power of a well-defined setting, that make details meaningful. Daevabad and the palace of the Nahid almost feel like characters themselves, and are such beautiful, horrible places to read about.
Can’t wait to see just how much The Kingdom of Copper will hurt!
Some observations from this reread:
- Darayavahoush e-Afshin spends a significant amount of this book complaining. “In my time, things were better”, “when the Nahid were still ruling, things were better”, “why do you keep asking so many questions”, “why doesn’t the prince speak the most important (=my) language in this city”, etc. Interestingly, I’ve seen reviews call Nahri “whiny” (a word I don’t like using in general), but not Dara – when he’s the one who complains constantly. I think this says a lot about how we see female main characters.
- It’s really interesting to me how healing in fantasy novels is usually a magical ability that is relegated to side/minor characters that are kind of plot devices while the main characters get to fight. Here, healing is the most important magical ability – for once, here’s a book in which the society has priorities that make sense
- The audiobook was amazing and I can really recommend it as a format. You’ll actually know how to pronounce everything! The narrator, Soneela Nankani, makes all names sound way nicer than how I read them in my head. (The biggest shock for me, interestingly, was the true pronunciation of “Manizheh”. The Italian-style one my brain automatically went to is so sad when compared to the truth)
- I already said this in my old review but I wish people would stop mis-categorizing this as YA, all the characters are adults and this is very much an adult fantasy with genre-typical slow pacing & attention to worldbuilding, while YA usually prioritizes faster pace and characters/romance over worldbuilding. I get that publishers had a hand in creating this mess (blurbs mostly from YA authors and all) but it’s a form of misleading marketing and also kind of sexist (it’s known that almost only women authors get this treatment).
- If you’re interested in seeing my old review, it’s also still here on the blog! For some obscure reason, it was my most popular goodreads review until I deleted it.
My rating: ★★★★¾ [raised from 4.5]