The Dark Beneath the Ice by Amelinda Bérubé
I don’t love this paperback redesign, but I don’t dislike it either. I prefer the original one because I’m really attached to it and because the color scheme is just better for the story, but the new one represents the content just as well – if it weren’t for the new tagline.
“Is it real or a nightmare” isn’t really meaningful to what the actual conflict is, in my opinion, especially considering that previous editions had “something is waiting to pull her under” and “something is waiting to pull you under” (my copy has this one. and I mean, it’s true), which are much better. Old cover or new cover [do tell me which one you prefer!], if you’re even marginally interested in emotional and introspective queer YA horror, you should try this.
Final Draft by Riley Redgate
I’m sorry. This is one of the most hideous paperback redesigns I’ve ever seen.
I mean, it’s not like the first cover actually tells you anything about the content of the book, but at least it doesn’t look like something you’d throw into the trash, with a cutesy background that doesn’t fit the atmosphere of the novel at all (it’s a story about mental illness, and it’s all but lighthearted.)
The House of Shattered Wings by Aliette de Bodard
This is a really interesting one, especially considering that both are meant to be paperback covers. The original one represents the content of the book really well, with the gloomy atmosphere, the ruined building, the unnatural-looking light of the wings – it’s exactly what this novel is. However, the second cover works better on something small, like a paperback, looks significantly less awkward, and still has a lot of interesting details. I might be biased because that’s the edition I own, but I prefer the second one, even though the first one is beautiful too.
Shadow and Bone by Leigh Bardugo
Meh. The original cover has a lot of symbolism I really appreciate, because symbolism is… the backbone of this series, honestly, and all of that is lost in the second one. It is pretty, but while from the first one I can see “Russian-inspired fantasy involving magical shadows and something with antlers”, the second one doesn’t tell me anything but the fact that there might be something involving a deer.
Here There Are Monsters by Amelinda Bérubé
This paperback redesign worked a lot better than the one of The Dark Beneath the Ice. The first cover is eye-catching and detailed and creepy and represents the book’s atmosphere perfectly; the second one is simpler and perfect for a smaller cover while also telling you that we’re talking about plant horror with skulls. Really good.
Forest of a Thousand Lanterns by Julie C. Dao
I’m probably the only person on this planet who liked the old cover with the fake-looking snake. The second one is just boring, which is sadder when you consider how much of a wasted occasion it was – we could have had a cover with Xifeng looking beautiful and dangerous on it, and we got this instead. It’s not bad, it’s… it doesn’t tell me anything about the book apart from “vaguely Asian-inspired” and it’s not in any way memorable.
Girls Made of Snow and Glass by Melissa Bashardoust
You had a quiet, dark cover that got the wintry atmosphere perfectly while also vaguely hinting at a crown without actually making it a generic YA fantasy cover – and you changed it for a generic YA fantasy cover with a crown on it that does nothing at all and has a bold “only one can be queen” tagline as if this were a competition for the throne story in a Three Dark Crowns style? This is bad.
(Yes, the misleading tagline is in the first one too, but at least it’s not in your face.)
Amberlough by Lara Elena Donnelly
On one hand, the first cover represents the inside of the book better, as it’s literally a scene from it, but the second one is perfect for a paperback (striking, simple design? yes) and I like what they did with that theme in the sequels too. An effective cover change.
The Beauty that Remains by Ashley Woodfolk
This is really interesting, because as you can see from previous examples, the hardcover usually has illustrations/cover models on it, and the paperback has a simpler design meant to work on a smaller cover. Here, the opposite happened, and while I think the second cover is a little wasted on a paperback, I’m glad that it was changed, because the first one tells you nothing about the book and it’s not even that pretty.
Also, I love this trend of YA contemporary covers in pastel blue, pink and purple!
Radiance by Catherynne M. Valente (UK Covers)
Tell me your opinions about these cover changes!