After making a post with two short reviews of F/F YA books I had read recently, today I’m making one for two M/M adult ones (a novella with a trans main character and a historical fiction book with steampunk aspects) and two graphic novels with non-binary main characters.
Coffee Boy by Austin Chant
Coffee Boy is a new adult romance novella following Kieran, a young trans intern who gets a crush on his supervisor Seth, who has himself a crush on their boss.
I don’t have a lot to say about this one, because it’s very short, but I can say that the romance was adorable (novellas are the best length for romance, it’s the truth), and that it’s so refreshing to read a contemporary romance with trans representation in which there is no outing anywhere in the book. There is some misgendering, because the main character doesn’t always pass, and there are some scenes about well-meaning but condescending and sometimes outright clueless “allies” that were… very awkward and very real, at the same time – but, overall, this is a happy story.
Anyway, if “younger person who can’t keep his mouth shut” and “older, distinguished grump who is actually secretly a mess” is your kind of thing, I really recommend it! And it’s for sure a short, cute romantic read perfect for Pride month.
My rating: ★★★★½
The Watchmaker of Filigree Street by Natasha Pulley
What happens when you care about the characters a lot but the writing meanders so much that you almost end up DNFing a book? You end up skimming. Which is why I didn’t enjoy The Watchmaker of Filigree Street as much as I could have.
It was as if the author felt the need to describe every single thing. Which, sometimes, was interesting, as I love details – especially when it came to the steampunk aspects, and the atmosphere was perfect – but for the most part, wasn’t. There were whole scenes that could have easily been cut, or maybe I just missed their significance because at that point I was so bored that I was skipping paragraphs. That’s possible. It’s just… how can one put together such a compelling premise, featuring historical gay people, steampunk technology, clairvoyance and bombings and make a boring story out of it? I don’t know. This book managed, and its characters weren’t even that bland.
Or – Nathaniel could have won the “blandest man of the year” award, but Grace wasn’t bland at all, if unlikable, and Mori was… unlike every character I had ever read about before, in a good way. The romance was also very sweet, and there was a mechanical octopus, and the book said so many interesting things about chances vs. choices, but this book was still so boring that nothing could save it – not even that ending, the best possible ending, or the fact that I knew it was going to be slow beforehand.
One more thing: I feel iffy about some things in here – it’s not my place to talk about how the anti-Asian racism is portrayed, but know that, if you’re interested in reading this book, there’s a lot of it in here (and, just like the misogyny in this book – which is also what you would expect from English people of the time, but still, ehh – not all of it is explicitly challenged).
My rating: ★★★
The Prince and the Dressmaker by Jen Wang
I wouldn’t have thought the day people in my country could walk into a bookstore and find a YA book with a non-binary main character on the shelves was going to be anytime soon, and I’m so glad to know that I was wrong.
I knew that book was probably going to be translated, seeing how the popular Italian YA books usually are. This one was, and I can’t even complain: it’s a graphic novel with a happy ending, one that doesn’t make a mess with the character’s pronouns, and overall a cute read.
It means a lot.
I’ve seen a few reviews say that we shouldn’t call this cute, or fluffy, because the main character gets outed. And I know. But this had such a light tone overall, and the main character is accepted by the people around him (the prince is genderfluid and both he/him and she/her pronouns are used during the story), including his family, so that by the end this story felt more like a reassurance to me – even if bad things could happen to you, you can still have a happy ending.
What I’m more annoyed by is the fact that books with this exact storyline (this one, Simon vs., and more recently Red, White and Royal Blue) or books that I really did found to be about queer pain (The Seven Husbands of Evelyn Hugo) are the ones that get the most popularity and then are almost the only ones that could even get a chance of being translated, so that the message becomes more “bad things will happen to you”. But you know, we don’t really get to be picky about representation here.
[This is why, by the way, I’m so glad that Leah on the Offbeat exists: no outing or queer pain in that one, and it got translated.]
Anyway. This is a story about a dressmaker with big dreams and a prince who likes to wear dresses, with an f/non-binary romance, set in an alt-history version of Paris. The art is very cute, and while it isn’t exactly my thing – I think I just prefer more realistic stlyes? – I still had fun with this.
My rating: ★★★★
The Tea Dragon Festival by Katie O’Neill
The Tea Dragon Festival is a companion prequel to the graphic novel The Tea Dragon Society, a cute fantasy graphic novel I liked but didn’t love. This installment convinced me a lot more. It features both old and new characters and just as many adorable dragons. The art is gorgeous, as always, but this time I liked both the characters and the setting more (there were fungi and beautiful woods! I loved that a lot.)
The story follows a non-binary main character who loves gathering food from the forest, and a confused dragon who woke up after eighty years of sleep. The story was cute, but what made it truly stand out was how it normalized queerness and sign language. Also, it’s so refreshing to read about a world in which people of many different ethnicities coexist and the world doesn’t always default to western customs – see which kinds of food was drawn and sometimes the eating utensils, for example.
Another thing I really appreciated was that this graphic novel said that just because something is easy for you, it doesn’t mean it has no value. More than anything, this is a story about community, and finding your own place in it, and I thought it was wonderful.
The only thing I didn’t love was the part at the end that attempted to explain dragon taxonomy, made a mess in which it mixed up species and subspecies, and capitalized specific epithets. I kind of wish it hadn’t been there at all, because I care about that sort of thing.
My rating: ★★★½
Have you read or want to read any of these?