It’s time for the end-of-the-year lists of favorites!
This is the post in which I list my favorites that aren’t novels or that it would be unfair to compare to traditional novels (because they’re too short, because they’re written in a format I’m not used to). Unlike my list of favorite novels, they are in no particular order.
Monstress Vol. 2 by Marjorie M. Liu & Sana Takeda
This comic finally got translated in my country, and I’m so glad it did, since it’s a story about an angry monster girl in a steampunk Asian matriarchy which is also kind of gay (and then explicitly gay later on) and we usually don’t get this. The art is gorgeous enough that I don’t mind the significant amount of graphic gore, and it’s probably the main reason I love this series so much (the art, not the gore. Sometimes I had to look away). Also the plot is very intricate and the narration doesn’t talk down to the reader, which I really appreciate – if you want something that is like a darker Daughter of Smoke and Bone which is as beautiful as Laini Taylor’s writing because of Sana Takeda’s art, read this!
Twisted Romance Vol. 1, edited by Alex de Campi
I picked up this anthology of short comics and prose short fiction on a whim, and it’s probably one of the best choices I made in 2018. It has all my favorite aspects of the romance genre – it’s queer, it’s diverse, it explores “unconventional” love stories – without what usually doesn’t work for me in romance novels, which is the length (…I get why people love slow-burn stories, but my attention span can’t do it). There’s polyamory, there are monster romances, there are discussions of abusive relationships and consent. It’s so good and I didn’t even mind that I ended up liking the prose short stories more than the comic parts (which were also really good).
Conservation of Shadows by Yoon Ha Lee
Conservation of Shadows is my favorite short story collection. I already knew I was going to like this because I had loved everything I had read by Yoon Ha Lee before, but some of these short stories managed to surprise me anyway. Not only is the first story, Ghostweight, probably one of my favorite short stories and one of the most gorgeous things I’ve ever read, but there was so much variety here. From stories about colonization to tactical linguistics, from quantum chess in space to a story built around an ancestry-erasing gun? So many interesting concepts. I still remember every story vividly, and it’s been months.
Three Sides of a Heart, edited by Natalie C. Parker
Three Sides of a Heart is the anthology that made me realize I actually really like love triangles. Not every story in it worked for me, but so many of them did, and they made me understand how little YA books have actually explored the potential of this trope while overusing it. Queer love triangles! Love triangles that end in polyamory! This book is full of them, and now I want all of these things in novels too. However, I would be completely fine if I never saw the “straight girl is torn between straight bad boy and straight best friend” version again.
The Tea Master and the Detective by Aliette de Bodard
The Tea Master and the Detective is a sci-fi retelling of Sherlock Holmes in which Holmes is a Vietnamese woman, Long Chau, and Watson is a sentient spaceship, The Shadow’s Child. You don’t need to know anything about Sherlock Holmes (I don’t, not really) or to have read the other companion novellas in the Xuya series (I read them after this one) to understand this. I loved everything about this world, from the idea of deep space to the way sentient spaceships, the “minds”, were portrayed, but what I liked the most were The Shadow’s Child and Long Chau’s interactions. I love non-romantic human/AI relationships and this was no exception. Also, to see “cold”, competent women who are not in a romantic relationship nor seeking one means a lot to me.
Artificial Condition by Martha Wells
I just said I like non-romantic human/AI interactions, but this made me discover I also like the AI/AI ones. I think Artificial Condition by Martha Wells is the only book I’ve read which had a relevant one, and I think Murderbot and ART’s interactions (…”ART” is the way Murderbot calls the spaceship, and it actually means “asshole research transport”, if you’re wondering how their “friendship” is like) were the main reason I ended up liking this second novella more than the other two in the series. Anyway, if you ever want to read about a bot with anxiety who is just trying its best to get the irrational humans out of danger, read this series!
The Black God’s Drums by P. Djèlí Clark
The Black God’s Drums is an alt-history steampunk novella set in New Orleans in a version of American history in which the Civil War ended with a truce, and it follows a young black girl who has been touched by Oya, the orisha of storms. What I loved the most was the atmosphere and setting, the way the fictional technology met the magic, but I also really liked reading Creeper/Jaqueline’s PoV and her interactions with the Trinidadian airship captain.
Darkling by Brooklyn Ray
Novellas are the best format for romance! Anyway, this is a series about a group of queer witches, and this first book follows Ryder, who is trans, in love with his friend Liam, and hiding that he’s a necromancer. I loved reading about this couple – the friends-to-lovers trope usually doesn’t work for me as much as I want it to but here it was perfect – and about all the side characters (Ryder’s sister was my favorite). I also really liked the rainy, dark atmosphere of Port Lewis.
In the Vanishers’ Palace by Aliette de Bodard
Technically, this one is a novel. It’s just that it didn’t feel fair to me to compare it with books that had 300+ pages since it doesn’t even reach 150. It would have had so much competition on the favorite novels list (which I’m going to post on January 1) and I didn’t want this book to not end up on a list of favorites (when it is one) just because I spent less time with the characters.
…post-colonial f/f Beauty and the Beast retelling featuring a Vietnamese cast, in which the Beast is a shapeshifting dragon? Of course I had to read it and it was just as good as I hoped it would be. Yên and Vu Côn are one of my favorite couples of the year and I loved the setting just as much – there are few settings I love as much as creepy and dangerous but very pretty palaces. Also, the themes. This is a Beauty and the Beast retelling in which the main character’s agency is important and so is consent (which I wish were more common in this kind of stories), and it’s a story about living in a broken world but trying to make the best of it.
The Poet X by Elizabeth Acevedo
This is also a novel! A poetry novel. Again, it’s a favorite that I didn’t want to not end up on a “favorite” list just because it was written in a format I’m not used to.
The Poet X is a beautiful story about self-discovery, first love and what it’s like to grow up in a religious environment (specifically Catholic) when you’re not a believer – or at least disagree with a significant number of things that the people around you believe (about what it should be the role of women, about sexuality, about self-expression). It follows Xiomara, a Dominican-American teen girl, and it talks about harassment, growing up with strict parents, and finding your voice through writing. As I grew up in a Catholic environment too and hated almost every moment of it, I could see myself in many of the things Xiomara thought and felt, and some of the poems here made me tear up.
What were your favorite books of 2018 that weren’t novels/weren’t written in a way you were used to?